| The
Celtic Community in Albuquerque
Overview
and Brief History:
When Americans think of the Celtic people, they think primarily
of the Irish, Scottish, and Welsh even though the Celtic people
originally ranged far and wide across Europe, they can also still
be found in modern Brittany (in France) and Galicia (in Spain).
The 2000 Census lists 60,676 Irish, 5,148 Welsh, and 13,742 Scottish
in Albuquerque. From our research it is evident that this sizable
community spans many generations in Albuquerque and is quite active
in keeping many of the Celtic traditions alive.
From
archaeological evidence, scholars have traced the origin of Celts
to Central Europe in approximately 1200 BC. They are thought to
have come to the British Isles at around 700 BC. The land that
is now England was conquered by Julius Caesar around 50 BC and
became a tenuous part of the Roman empire. The Scots proved particularly
difficult to control. The Roman Emperor Hadrian had a wall built
to contain them, although the Romans sporadically attempted to
pacify the region. The Romans largely left the Irish alone and
finally departed the British Islands in the second century. In
the mid 400's AD Germanic tribes of Angles, Saxons, and Jutes
invaded and began to take hold of Britain and contained the Celts
in Scotland, Wales, Cornwall, and Ireland. The ninth century ushered
in an onslaught of Vikings from Scandinavia. Many assimilated
into Scottish culture, but the Irish were more resistant. After
the fall of the Scottish king MacBeth, at the turn of the eleventh
century, English kings began their domination of the Scottish
throne. In Ireland, Brian Boru united the Irish tribes, defeated
the Vikings, and became the king of all Ireland.
The
Norman invasion of England culminating with the Battle of Hastings
in 1066 drove the English into the Scottish lowlands and created
the distinct divide between the lowland and the highland Scots.
One hundred years after their decisive victory over the English
Saxons, the Normans invaded Ireland and began the centuries old
struggle between the two cultures. By the thirteenth century the
English had taken Ulster in northern Ireland and shortly after
that, occupied all of the Emerald Isle. The next several hundred
years were marked by a number of unsuccessful uprisings and rebellions
aimed at throwing off the yoke of English occupation. These rebellions
were brutally put down again and again. The fact that Ireland
remained staunchly Catholic, following the reign of the English
king Henry VIII and the establishment of the Church of England,
added yet another dimension to the fierce cultural rivalries.
In 1782, Legislative Independence was finally won from Britain
by the Irish Parliament, although the country remained firmly
under British rule. Inspired by the American and French revolutions,
the Irish attempted yet another disastrous attempt at ousting
the British in 1798.
Immigration
to the United States and Albuquerque:
There have been many waves of Celtic migrations to America over
the last several hundred years. It is often joked that Irelands
biggest export is her people. Most nineteenth Irish immigrants
originally settled in places like Boston, New York, Chicago, St.
Louis, and Kansas City, but some ventured into the southwest working
on the railroads, as cowboys, and in the military. Many Scottish
immigrants settled along the Chesapeake and in the Appalachians,
from Pennsylvania south to Georgia. The Welsh came both as religious
refugees (Quakers) and because their skills in metal working and
mining were in demand in the New World. Most of them settled in
Pennsylvania though some did come west to work in the mines. The
number of Welsh who immigrated to America was considerably smaller
than the Scottish and the Irish. By way of comparison, Irish emigrants
to America in the nineteenth century outnumbered the Welsh by
twenty-six to one. A 1985 census of Albuquerque listed ninety-seven
persons who were born in Ireland.
Although
census data from the late nineteenth century shows that there
were a few dozen Irish living in Albuquerque, the majority of
people of Celtic ancestry in arrived in the city in the twentieth
century and are second, third, fourth, and even older generation
descendants of earlier immigrants. Many came as members of the
military during the Second World War and stayed. Others came to
study at a University and stayed. Still others came and decided
to stay because of the beauty and climate of New Mexico. First
generation Irish immigrants to Albuquerque tend to have come primarily
because of UNM and because of Intel in Rio Rancho. Intel, the
giant chip-making corporation has a plant in County Kildare, Ireland
and employees from Ireland are sometimes sent to New Mexico for
training.
Language
and Cultural Traditions:
There are very few native Gaelic speakers in Albuquerque though
there are people who are learning the language. There is a professor
at UNM who is a native speaker of Irish Gaelic and who teaches
classes in Irish through the Department of Linguistics. There
is also a woman teaching Celtic mythology at UNM. This woman also
organizes Bardic evenings to assist in keeping Celtic
oral traditions alive in Albuquerque. Yet another woman has taught
Welsh, or cymraeg. Some members of the Celtic community
are actively rediscovering and reviving the Celtic spirituality
of the Druids, and one local woman has published a book on the
subject, but Druidism has not yet been embraced by the community
as a whole.
In
terms of foodways, the Celts are not renowned worldwide for their
cuisine. Consequently there are no ethnic restaurants in Albuquerque
featuring Scottish haggis or Irish colcannon on their menus. Typically
what passes for Irish fare in Albuquerque is of the more Americanized
corned beef and cabbage variety and served on St. Patricks
Day. There are a few Irish pubs in Albuquerque and
a variety of Irish and Scottish ales and stouts are available
for purchase in various markets.
Arts
and Culture:
While
there is limited interest in the visual art forms, such as Celtic
knots, music and dance are the most common manifestations of Celtic
culture found in the Albuquerque metro area. There are a couple
of immigrant Irish musicians who have settled in Albuquerque,
one of whom was a founding member of the Irish Rovers of The Unicorn
fame. Although not native-born, there are a sizable number of
musicians playing Celtic music, many of whom are quite talented.
At any given time there are a dozen or more active musical groups
playing at area events and in bars and coffeehouses. Some of the
groups identified in this survey were Three Leaf Shamrock, Eagles
Whistle, Raggle Taggle Gypsies, Rivercane, Rye Creek, Harp in
the Morning, and the High Desert Pipes and Drums. There are many
distinctive types of Celtic music that are played by these different
groups. For example there is the Irish music that originated in
Ireland, which tends to be either dance music, such as jigs and
reels, or songs of drinking, rebellions, and history; and there
is the Irish-American Immigrant music that originated in America.
The latter tends to be made up of sentimental songs of the land
left behind, such as Danny Boy and My Wild Irish Rose. There is
also a body of new Celtic and World Beat influenced music currently
coming out of Ireland and many Albuquerque musicians are adding
this new mix into their repertoires.
Common
instrumentation found in the wind and reed families in these Celtic
groups are penny whistles, flutes, and bag pipes accordions, melodeons,
and concertinas. There are three types of Celtic bagpipes, Scottish,
Irish, and Welsh. Of these three, the Scottish pipes are the most
common and well known. All three are played by inflating a bag
which then keeps a steady stream of air passing over tuned reeds.
There are some reeds, called drones, which are used to establish
the key and chord selection, and one reed called a chanter, on
which the melody is played. Both the Scottish and Welsh pipes
are played by inflating the bag with air from ones lungs.
The Irish, or Uilleann pipes, are inflated by way of an elbow
activated bellows and are played while sitting down. The Scottish
pipes tend to be very loud. The Welsh pipes are much smaller and
sound much softer and more delicate. The Irish pipes tend to fall
between these two extremes. There are only two or three people
in Albuquerque that are playing the Irish or Uilleann pipes, and
no one was encountered in this survey who played the Welsh pipes.
Conversely, there are several dozen Scottish pipers in the area,
including those in the High Desert Pipe and Drums. The High Desert
group recently (1999) won best for their grade at the World Championships
in Scotland, a first for any pipe band from the United States.
The
Irish harp is quite popular in Albuquerque. There are some very
talented harpers in the area playing and teaching, as well as
music stores that stock the instruments and sponsor harp circles.
A recent addition to the Irish string family is the Greek bazouki.
Flat-backed versions of this Greek instrument have become quite
common in Ireland, where it is sometimes referred to as a cittern.
Eight and ten string versions of this instrument are being played
in several Albuquerque Celtic groups and this new instrument can
be found in jam sessions, although guitars, fiddles, and mandolins
are still predominate. There are several people who offer Irish
and Scottish fiddling lessons in Albuquerque.
The
Irish drum, or bodhran, is also commonly found in groups and jam
sessions. Resembling a large tambourine without the jingles, it
is played sideways with a single double-headed drumstick. A cross
between and percussion and stringed instrument, the hammered dulcimer
is commonly used in Irish music in Albuquerque and throughout
America, although it is rare in Ireland. Considered to be an ancestor
of the piano, the hammered dulcimer is a trapezoidal box with
strings and multiple bridges across the top that is played with
small hammers.
The
type of Welsh music most commonly found in Albuquerque is singing.
While solo singing is more common, there is a Welsh choir in Albuquerque
called Dragons Breath Welsh Choir. The Welsh triple harp
has been introduced to the area through concerts and there is
at least one player of the instrument; but singing is more commonly
found here.
Three
types of Irish dancing can be found in Albuquerque: Irish step
dancing, set dancing and ceili (pronounced KAY-lee) dancing. Step
dancing, as popularized in Riverdance, has now become the more
common form in Albuquerque, whereas before Riverdance it was rare.
This type of dance involves elaborate percussive footwork and
is taught in both Albuquerque and Los Lunas. There is a local
performing dance group, the McTeggert
Step Dancers. Step dance competitions, called feises,
have been held in Albuquerque at Menaul School.
Set
dancing is a form of square dance done with four couples. It is
generally accepted that Irish set dances are evolutionary descendants
of the French Quadrilles from the late 18th and early 19th century.
Each region or community in Ireland developed their own adaptations
and styles of set dances and there are approximately 100 known
variants in Ireland. However, only a few of these variations,
such as the Haymakers Jig, are taught and danced in Albuquerque.
The third type of dancing, or ceili, is actually made up of several
different types of dances. Most are structured, such as sword
dances, round dances, and line dances. There has been a group
teaching and demonstrating this form of dancing in Albuquerque
continually since the early 1970's.
Annual
Events and Celebrations:
For many years there used to be an annual St. Patricks parade
down Central Avenue downtown, but it was discontinued when the
city started charging the sponsors, the Ancient Order of Hibernians,
for police overtime to accompany the event. A smaller version
has been held for the last few years on Gibson Blvd. Starting
from the Kirtland AFB gate. There are many Irish musicians playing
around town at various clubs and restaurants, but there is no
one specific annual event save for the annual Corned Beef and
Cabbage benefit dinner started many years ago by Brother Mathias
to benefit Barrett House, a refuge for homeless.
There
are two annual Highland Games, one held in Albuquerque
in May and one in Rio
Rancho in June that bring the Celtic community together
for entertainment and athletic competitions. These games are part
of a national network of Highland Games facilitated in part by
the Association of Scottish Games and Festivals which is a clearinghouse
for organizations to assist them in the production of Highland
Games throughout the United States.
Athletic
events are divided by men, women, and children. Typical mens
and womens events are: Weight for Height, in which a fifty-six
pound weight with a handle is thrown over a bar, which is then
raised higher; Weight for Distance, in which the same fifty-six
pound weight is thrown as far as possible; Hammer Toss, in which
a fourteen pound hammer on a chain is spun by the body and flung
as far as possible; Stone Put, in which a stone with a handle
on it is spun with the body and flung; Sheaf Toss, in which a
sack resembling a sheaf of wheat is flung by way of a pitchfork
over a bar, which is successively raised; and Caber Toss in which
a fifteen foot pole is flipped vertically so that it lands at
a twelve oclock position several feet from you. There is
also a category for Irish Athletics with events such as Puc Fada
where the participant is required to hit the sliotar (string based
ball) as far as possible with the hurley (not unlike a hockey
stick) keeping within set boundaries. Many of these athletic contests
have their roots in practical chores, such as tossing straw up
into lofts with pitchforks, or building log bridges, in the case
of the caber toss. In addition to athletics, there is a Highland
Dance Competition, as well as a Pipe Band Competition, Solo Piping/Drumming
Competition, and a Drum Major Competition.
The
Albuquerque
Folk Festival, which occurs annually in June at the Fairgrounds,
features local Irish musicians as well as workshops in the different
forms of Irish dance. At the time of this survey there was a monthly
calendar of events that listed Harp workshops, Irish Ceili dancing
and step dancing, Scottish country dancing, and other public events
and cultural presentations. There is a syndicated Celtic music
program on public radio: the Thistle and Shamrock on KANW-FM,
and Celtic music is sometimes featured and events are announced
on the Home of Happy Feet and Folk Routes programs on KUNM-FM.
Conclusions:
Celtic culture is thriving, alive and well in the Albuquerque
area. As with other ethnic groups, many would like to have publicly
available spaces where members of the community can meet, exchange
news, teach and learn from each other. More civic events that
allow members of this community to showcase their music and dance
talents to the general public were often cited as needs. The loss
of Summerfest has been deeply felt by the Celtic community.
In
addition to the Ancient Order of Hibernians noted above, other
Celtic organizations are the Irish-American
Club, founded in 1963, and the Welsh Society, both of
which meet monthly. There is also an organization called the Childrens
Friendship Project for Northern Ireland which pairs a
Protestant and a Catholic child together and brings them to Albuquerque
for a six week visit.
The Irish American Society of New Mexico
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